Take for instance Hotstar’s Special Ops, in which Kay Kay Menon plays a R&AW officer.
The OTT space, too, has been chock-a-block with content based on the intelligence community.
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The makers of Siddharth Malhotra-starrer Mission Majnu, penned by Parveez Sheikh and Aseem Arora-the writers of BellBottom, are hopeful of taking the movie to the theatres “as soon as possible”. The Kangana Ranaut-starrer Dhaakad is being made at a budget of Rs80 crore and is the most expensive female-led film ever made in India.
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In the past one and a half years alone, two dozen films and web series have been released in this genre, almost half of which were released in 2021.
This has naturally been met with a “mind-boggling” array of offerings-films, series, short films and more-across platforms. He added that there is a “growing hunger” for the genre in India. What worked for it was the genre, said trade analyst Taran Adarsh. At a time when most theatres across the country have remained shut, the film generated a modest, but creditable, box-office revenue of Rs18 crore in its opening week. The craze for spy films, driven by box-office profits, essentially began with Neeraj Pandey’s thriller Baby (2015).ĭirector Ranjit Tewari’s 125-minute espionage thriller was the first big-ticket Hindi movie to release in theatres since the second wave of Covid-19.
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